Photo, video, motion and 3D, produced in house

The visual half of a brand, made rather than bought: campaign stills, film, motion graphics, 3D and aerial, built from one brief so the pieces still match when they land in different places.

Planning that settles the shot list before the day, lighting built for the room rather than the manual, and a schedule with slack in the places where things actually go wrong. Shot on Sony mirrorless bodies, gimbal where the camera has to move, and finished in a grade that holds across every frame in the set.

Motion graphics and titling in After Effects, product and environment work in Blender, and colour finishing in DaVinci Resolve. Renders are built to be reused: the same model becomes a hero still, a loop for social and a cutaway in the film, rather than three separate jobs.

Inspection, mapping and aerial content flown under a Transport Canada pilot certificate, with the flight planned around the site and the airspace rather than the forecast alone.

The craft is the visible part. What keeps a shoot on time is the discipline around it: knowing which failure would end the day, building the schedule so that failure costs an hour instead of the project, and carrying the second option in the bag.